25 OCTOBER, wednesday
09h00
REGISTRATION
Museum of Art, Architecture and Technology (MAAT)
Generators Room
10h00 – 10h30
OPENING SESSION
Opening Session by Teresa Cid (Director of ULICES), Paulo Jorge Farmhouse Simões Alberto (Director of FLUL), Anabela Duarte (organizer, UL), Andrew Hussey (co-organizer, ULondon), Edgardo Medeiros da Silva (Research Group of American Studies), Pedro Gadanho (MAAT).
10h30-10h45
WORKSHOP “THE INVISIBLE CIRCUS” – AVANT-GARDE MANIFESTO FOR THE SCIENTIFIC REVOLUTION
w/ Ricardo Castro and the Boogeyman
Intro
10h45-11h30
COFFEE-BREAK
Condensators Room
11h30-12h30
RECORDING AND ORCHESTRATING ISOU & LETTRIST POETRY-MUSIC
Plenary Session with Frédéric Acquaviva (La Plaque Tournante, FR)
Chair: Anabela Duarte (University of Lisbon, ULICES, PT)
12h30-13h45 Panel Sessions
| AVANT-GARDES REVISITED I Chair: Manuel Portela (Universidade de Coimbra, PT) Generators Room |
| THE SEMANTIC BOMB Guy Maruani (Independent, FR) |
| DADAIST MUSIC AND STRATEGIES OF ANTI-ART Paul Ingram (University of London, UK) |
| THE POLITICS OF A VOICE – DEMETRIO STRATOS Fabio Guidali (Università di Milano, IT) |
| DADA DIALECTICS: COUNTERCULTURE AT THE UNIVERSITY OF IOWA Kathryn M. Floyd (Auburn University, USA) and Brett M. Van Hoesen (University of Nevada, USA) |
13h45-14h45
LUNCH
14h45-15h45 “All Poets are Yids!”: A Beginners's Guide to Isidore Isou Plenary Session with Andrew Hussey (University of London, SAS,UK) Chair: Teresa Cid (University of Lisbon, ULICES, PT) Generators Room
15h45-17h00 Panel Sessions
| TRANSATLANTIC AVANT-GARDES AND COUNTERCULTURE I EUGENE JOLAS AND THE TRANSATLANTIC AVANT-GARDE Panel organized and chaired by Vladimir Feshchenko PhD, Senior Research Fellow, Institute of Linguistics, Russian Academy of Sciences, Moscow Generators Room |
| Abstraction and Universals: from Transition (1927–38) to Documenta (1955–) Barrett Watten (Wayne State University, USA) Skype Presentation |
| Eugene Jolas’ Universal Language Olga Sokolova (Institute of Linguistics, Russian Academy of Sciences, RU) |
| Eugene Jolas and “The Malady of Language” Jason Parks (Anderson University, Indiana, USA) |
17h00-17h30
COFFEE-BREAK
Condensators Room
17h30-19h00 WORKSHOP KOMPLEX – KABARET LISBON, BY MARIANO EQUIZZI (IT) Theoretical Session Generators Room
19h00-21h00
DINNER
21h00-23h00
CONCERT BY FRÉDÉRIC ACQUAVIVA AND LORÉ LIXENBERG
Generators Room
26 OCTOBER thursday
University of Lisbon – Faculty of Letters
10h00
WORKSHOPS RUNNING:
1. KOMPLEX KABARET LISBON
All day
Outdoors
2.THE INVISIBLE CIRCUS w/ THE BOOGEYMAN
10h-13h/14h-17h
Room 14.2
10h00-11h30 Panel Sessions
| THE POLITICS AND AESTHETICS OF INVISIBILITY I Chair: Anabela Duarte (University of Lisbon, ULICES, PT) Amphitheater III |
AVANT-GARDES REVISITED II Chair: Marta Soares (New University of Lisbon, IHA/FCSH) Room 5.2 |
| INVISIBLE REPUBLIC/INVISIBLE EMPIRE: BOB DYLAN AND THE BEATLES c. 1967 Rodney Nevitt (University of Houston, USA) |
O CIRCUITO DA POESIA SONORA: FESTIVAIS, REDES E RELAÇÕES TRANSATLÂNTICAS Nuno Miguel Neves (Universidade de Coimbra, PT) |
| INTERPLAY OF THE VISIBLE AND THE INVISIBLE: THE RADICAL SUBJECTIVITY OF THE ZAPATISTAS Tijen Tunali (University of Tours François Rabelais, FR) |
REMIX FOTOCOPIADO, SAMPLING VISUAL, MASHUP DE PAPEL: A COPY ART DE CÉSAR FIGUEIREDO Bruno Ministro (Universidade de Coimbra, PT |
| 1,000 INVISIBLE THINGS Performance Lecture Gabrielle Senza (Transart Institute, UK) |
AURALIDADE E POESIA CIBORGUE: LER A VOZ E DIZER A ESCRITA Ana Marques Silva (Universidade de Coimbra, PT |
| A (in)Visibilidade do artesanto na historiografia da arte dos séculos XX e XXI Inês Jorge (Universidade Nova de Lisboa, PT) |
11h30-12h00
COFFEE-BREAK
Hall of Amphitheater III
12h00-13h00 A Culture of Protest: Between Avant-Garde and Activism, 1947-1977 Plenary Session with Kevin Repp (Yale University, USA) Chair: Andrew Hussey (University of London, SAS, GB) Amphitheater III
13h00-14h00
LUNCH
14h00-16h00 INVISIBILITY LAB interactive installation by Gabrielle Senza (Transart Institute, UK) Hall of Amphitheater III
15h00-16h15 Panel Sessions
| NEW POETIC LANGUAGES, CINEMA AND TECHNOLOGY I Chair: Ana Barroso (University of Lisbon, ULICES, UL) Amphitheater III |
MUSIC, SOUND/SOUNDSCAPE AND LITERATURE I Chair: Manuel Silva (New University of Lisbon, INET-MD, PT) Room 5.2 |
| REVISITING UNWORD – SOUND AS RADICAL DISCOURSE Claire M. Holdsworth (Kingston School of Art, Kingston University London, GB) |
New York Composers: Government Funded Songs on Surrealist Texts, 1935-1939 Carole Blankenship (Rhodes College in Memphis, Tennessee, USA) |
| CIAO MANHATTAN: THE RISE AND FALL OF THE UNDERGROUND Kostoula Kaloudi (University of Peloponnese, GR) |
MUSIC AND MODERNISM IN THE POETRY OF T.S. ELIOT AND WALLACE STEVENS Hicham Ali Belleili (University of Boumerdes, DZK) |
| POSTMODERNISM, AVANT-GARDE AND NEO DADAISM: THE LEGACY OF BOGUSLAW SCHAEFFER Michal Zdunik (University of Warsaw, PO) |
MUSIC, LITERATURE AND CINEMA: WHEN THE NARRATIVE IS GUIDED BY THE SCORE Francesco Bacci (University of Macerata, IT |
16h15-16h45
COFFEE-BREAK
Hall of Amphitheater III
16h45-17h45 Disturbing Codes, Distancing Effects Plenary Session with Bronac Ferran (University of London, GB) Chair: TBA Amphitheater III
17h45-19h15 Panel Sessions
| AVANT- GARDES REVISITED III Chair: Sandra Vieira Jurgens (New University of Lisbon, IHA, PT) Amphitheater III |
TRANSATLANTIC AVANT-GARDES AND COUNTERCULTURE II Chair: Ana Mendes (University of Lisbon, ULICES, PT) Room 5.3 |
| POP AVANT-GARDE IN CHINESE ART IN THE POST-TIAN’ANMEN ERA Maciej Szatkowski (Nicolaus Copernicus University, PO) |
EXPERIMENTS IN COMMUNITY AND ART: FROM BLACK MOUNTAIN COLLEGE TO THE GATE HILL COOPERATIVE Multimedia Mark Davenport (Regis University, USA) |
| ALBERTO GRECO’S VIVO-DITO AND THE NOMADIC PRACTICE OF THE NEO-AVANTGARDE Fernando Herrero-Matoses (Boston University in Madrid, SP) |
HOW DOES NEO-TRIBALISM FACTOR IN THE CONSTRUCTION OF AN INDEPENDENT RECORD LABEL? Jonathan Lindley (University of Huddersfield, UK) |
| EARLY AVANT-GARDE: EXCEEDING NATIONAL, LINGUISTIC AND STYLISTIC BOUNDARIES Michal Wenderski (Adam Mickiewicz University, PO) |
SOUNDTRACK OF THE “INVISIBLE EMPIRE”: VISIONS OF AMERICA IN WHITE POWER MUSIC Axelle Germanaz (Universitat Nurnberg-Erlangen, DE) |
| GOTHIC AS THE FIRST AVANT-GARDE ART Maria Antónia Lima (University of Évora, PT |
RAW AND RAGGED: ABSTRACT EXPRESSIONISM AND DIXIELAND JAZZ IN POSTWAR SAN FRANCISCO Carl Schmidt (Independent, USA) |
19h15-20h15 LE CABARÉT DISCRÉPANT dance film Introduction by Pascal Quéneau (FR) Chair: Luísa Falcão (University of Lisbon, ULICES, PT) Amphitheater III
20h30-21h30
BUS TO ROSSIO, CAFÉ GARRET
21h30
CONFERENCE DINNER
Café Garret
Teatro Dona Maria II
27 OCTOBER friday
University of Lisbon – Faculty of Letters and ZDB Gallery
9h00-12h00 WORKSHOP - THE POETICS OF VOICE Américo Rodrigues, coordinator Congress Room - Library
WORKSHOPS RUNNING:
1.KOMPLEX KABARET LISBON
All day
Outdoors
2.THE INVISIBLE CIRCUS
w/ Ricardo Castro and The Boogeyman
10h-13h/14h-17h
Room 14.2
10h30-11h30 THE PARADIGM OF YOUTH: THE LETTRIST CONTRIBUTION TO A NEW AGE OF PROTEST (1946-1968) Plenary Session with Sylvain Montégu (Les Cahiers de l'Externité, FR) Chair: José Miranda Justo (University of Lisbon, CFUL, PT) Amphitheater III
11h30-12h00
COFFEE BREAK
12h00-13h30 Panel Sessions
| NEW POETIC LANGUAGES, CINEMA AND TECHNOLOGY Chair: Fernando Fadigas (University of Lisbon, FBAUL, PT) Amphitheater III |
Music/Sound/Soundscape and Literature II Chair: António Ângelo Vasconcelos (Escola Superior de Educação do Instituto Politécnico de Setúbal, PT) Room 5.3 |
| GRAVITAS: A NON-LINEAR AUDIOVISUAL CADAVRE EXQUIS FOR TIMES OF LEXICAL REDUCTION Daniel Brandão (University of Porto, PT) and Heitor Alvelos (University of Porto, PT) and Anselmo Canha (University of do Porto, PT |
“ANOTHER COUNTRY”: O CARNAVAL DE THE BASEMENT TAPES Maria Fernandes (Universidade Nova de Lisboa, PT) |
| ON ANTIVIRAL MUSIC Eric Lyon (Virginia Tech, USA) |
O PENSAMENTO DE HANS EGGEBRECHT APLICADO À MÚSICA CONCRETA Fábio Martins (Universidade Nova de Lisboa, PT) |
| CODING PRAXIS FOR MUSIC TECHNOLGY: A CRITICAL THEORY APPROACH Andrew Telichan-Phillips (New York University, USA) and Daniel Marchwinski (Oakland University, USA |
ACASO: A ORIGEM DA OBRA DE JOHN CAGE Ana Luísa Valdeira (Universidade de Lisboa, PT |
| ARES DE FLAMENCO NA INTERNACIONAL LETRISTA Benito Barja (University Paris-Sorbonne, FR) |
13h30-14h30
LUNCH TIME
14h30-15h45 Panel Sessions
| AVANT-GARDES REVISITED IV Chair: Isabel Oliveira Martins (New University of Lisbon, PT) Amphitheater III |
THE POLITICS AND AESTHETICS OF INVISIBILITY II Chair: Daniel Brandão (University of Porto, PT) Room 5.3 |
| “BE PLURAL LIKE THE UNIVERSE” – YIDDISH AND AVANT-GARDE Aviv Livnat (Tel Aviv University and Bezalel Academy of Art, IE) Multimedia Presentation |
DIÁRIO DA REPÚBLICA: HEAVY-METAL AS A TERRITORY OF EMANCIPATION FROM NEOLIBERAL HYPER-SCRUTINY Heitor Alvelos (University of Porto, PT) and Anselmo Canha (University of Porto, PT) |
| LETTRISM IN CONCRETE MUSIC Loïc Bertrand (Paris Diderot University, FR) |
INVISIBLE ENVIRONMENTS: CAyC AND COUNTERCULTURAL CYBERNETICS Jye O’Sullivan (Dublin Institute of Technology, IE) |
| SITUATIONISM, MUSICAL EXPERIMENTATION AND WALTER OLMO Lola San Martin Arbide (University of Oxford, GB) |
15h45-17h15 Panel Sessions
| AVANT-GARDES REVISITED V Chair: Pedro Roxo (New University of Lisbon, INET-MD, PT) Amphitheater III |
Music/Sound/Soundscape and Literature III Chair: Jorge dos Reis (University of Lisbon, FBAUL, PT) Room 5.3 |
| THE SAME PLACE FROM WORLDS’ APART: ELIMINATING THE CONCEPT OF STYLE Stephany Tiernan (Berklee College of Music, USA) |
DUMB, MUSICAL AND MEASURABLE: A CLOSE READING OF A STUPIDOGRAMM Maggie Rosenau (University of Colorado at Boulder, USA |
| SOUND AS MODEL: MURAIL VERSUS LUCIER Bert Van Herck (New England Conservatory, USA) |
VOCAL UTOPIAS, VERBAL MAGIC AND SOUND PAINTING IN RUSSIAN AVANT-GARDE POETRY Vladimir Feshchenko (Russian Academy of Sciences, RU) |
| Going out. Peripatetic music and listening in the 60s Elena Biserna (École Supérieure d’Art d’Aix-en-Provence, FR) |
THE IMAGO DEI OF WILLIAM BURROUGHS: RELIGION & LITERARY CLOSURE IN THE NOVA TRILOGY James Leveque (University of Edimburgh, GB) |
| A NEW COHESIVE ELEMENT: ABSTRACT ART AND IAN HAMILTON FINLA Natalie Ferris (University of Oxford, GB) |
17h30-18h30
BUS to ZDB Gallery
18h30-20h30 FILM SESSION: TRAITÉ DE BAVE ET D’ETÉRNITÉ, 1951 by Isidore isou Terrace Intro by Kaira Cabañas (University of Florida, USA)
20h30-21h30
FINAL COCKTAIL PARTY
THE DRIFT PRINCIPLE: CIRCUIT BENDING PERFORMANCE
by LOÏC BERTRAND (FR)
w/ home-made electronics (toys, radios, tapes and CD players) – 15’
Terrace Room
International Conference on Music, Avant-Gardes and Counterculture 